1. Journeys from the fantastic to the colonial. 2. Black servants and saviors: the domestic empire of Egypt. 3. The lived experience of contradiction: Ibrahim Fawzi's narrative of the Sudan. 4. The tools of the master: slavery, family, and the unity of the Nile valley.5. Egyptians in blackface: revolution and popular culture, World War I to 1925 Topics: Foreign relations, Slavery, Colonialism, Nationalism, History, Slavery, Egyptian nationalist...
Salsa dura from New York, frevo from northeastern Brazil, chimurenga from Zimbabwe, Afrobeat from around the world, and more. These are styles that feature the punch and emotion that only a prominent horn section can deliver. We'll hear the Gangbe Brass Band, the Spanish Harlem Orchestra live in New York, classic Congo music from el maestro Franco, Brooklyn's own Antibalas Afrobeat Orchestra and others.
The guitar is at the center of so many Afropop styles we love. And it's still going strong even in the age of hip hop. In this program we'll hear from some well known guitar heroes--Djelimady Tounkara from Mali and Jaojoby from Madagascar, and others--as well as some less well known artists such as Louis Mlanga from South Africa.
In the latest of our ongoing vignettes series, we dig into the Afropop Worldwide archives for some choice, compelling moments from our programs profiling music scenes in Peru, Equador, Brazil and Venezuela.
Afropop makes the pilgrimage to visit Grammy Award winner Ali Farka Toure in his beloved hometown of Niafunke on the banks of the Niger River in northern Mali. In this sublime set, Ali plays acoustic with musical mates on the njarka (one string violin), and the gurkel (two string instrument w/metal piece for buzz) and calabash (gourd used for percussion). Ali talks about what family and his community in Niafunke mean to him.
Many fans in America first got hooked on Afropop through the landmark 1982-83 tour by Nigeria's King Sunny Ade and his African Beats: the propulsive polyrhythms of traditional drums mixed with sophisticated guitar arrangements and pedal steel. Topped by graceful choreography and the beaming presence of the "Chairman" himself. Totally intoxicating. In this program, we travel to Lagos to talk to people there who help us fill in the picture of King Sunny Ade's earlier career in the 1960s... ( 3 reviews )